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About Our 2024 Artists
Lu Ellmer
Love of Mother Nature and all her beauty is where Lu’s heart and imagination come alive and into true alignment. As she spends her time fossicking and discovering the many wonders to be had, Lu’s art forms.
A love of drawing and painting is Lu’s chosen mediums where she finds her greatest expressions come alive from drawing the beautiful flora and fauna of the Otway National Park, to painting the creatures and findings along the Surfcoast. As this has been Lu’s home for the last 25 years the experiences and journeys have been truly inspirational to her. She finds pure joy in discovering where her art will blossom next.
In 2019 Lu chose to delve deeper into a greater understanding, of her love of art, by obtaining a Certificate 4 and a Diploma in Visual Arts. In doing so she awoke her true artistic abilities and natural love of nature, which has helped her produce a body of work, which keeps growing.
A love of drawing and painting is Lu’s chosen mediums where she finds her greatest expressions come alive from drawing the beautiful flora and fauna of the Otway National Park, to painting the creatures and findings along the Surfcoast. As this has been Lu’s home for the last 25 years the experiences and journeys have been truly inspirational to her. She finds pure joy in discovering where her art will blossom next.
In 2019 Lu chose to delve deeper into a greater understanding, of her love of art, by obtaining a Certificate 4 and a Diploma in Visual Arts. In doing so she awoke her true artistic abilities and natural love of nature, which has helped her produce a body of work, which keeps growing.
Simone Feher
With a love of textiles and all things handmade, Simone started her knitting journey when she was about 10 years old. Her Grandmother, Mum and Auntie were all knitters. Her first pieces were always going to be the traditional beanies and scarfs. But when she met her now husband at the ripe old age of 15, she decided to graduate, and knit him a couple of beautiful Aran jumpers.
Moving forward to having their own children she knitted them a multitude of pieces and discovered the wonderful world of boutique yarn at Pear Tree Torquay. She was also taken under Sue Ingpen’s wing. It was here she learnt about yarn and eventually the art of spinning her own wool. This was a time of growth for her and a time where she found herself diagnosed with breast cancer. Knitting helped her during this time and she went on to create Meboobiez.
Meboobiez started on her hospital bed after her first surgery where she knitted her own prosthetic breast! She has continued to supply the local hospital with these in all shapes when required.
Today, she still works in the corporate world 9 – 5 but her time at night is spent knitting and spinning her wool with her animals (and Family). She says she is lucky to have a healthy supply of raw fleeces of both wool and alpaca most of which would be used as compost if not spun and knitted up. She dyes her own yarn and creates one off pieces for everyone to enjoy.
Moving forward to having their own children she knitted them a multitude of pieces and discovered the wonderful world of boutique yarn at Pear Tree Torquay. She was also taken under Sue Ingpen’s wing. It was here she learnt about yarn and eventually the art of spinning her own wool. This was a time of growth for her and a time where she found herself diagnosed with breast cancer. Knitting helped her during this time and she went on to create Meboobiez.
Meboobiez started on her hospital bed after her first surgery where she knitted her own prosthetic breast! She has continued to supply the local hospital with these in all shapes when required.
Today, she still works in the corporate world 9 – 5 but her time at night is spent knitting and spinning her wool with her animals (and Family). She says she is lucky to have a healthy supply of raw fleeces of both wool and alpaca most of which would be used as compost if not spun and knitted up. She dyes her own yarn and creates one off pieces for everyone to enjoy.
Karen Harvey
With a background in horticulture and landscape design, Karen brings her love of nature and keen eye for detail to her jewellery design and making, which extends her passion for beautiful handcrafted objects.
She works mainly with Sterling Silver, but also gold and other metals. Karen uses traditional silversmithing techniques along with some unconventional processes to shape and form works of wearable art.
She designs and creates each individual piece by hand in her studio in rural Victoria - inspiration for her jewellery comes not only from her surroundings but from within ... sentimental moments and meanings are often captured to be made into a lasting memento of precious thoughts, feelings and memories.
Karen also enjoys working with clients to create individual pieces which reflect the personality of the wearer, or have deeper personal meanings for them. "It is always a joy to see the happiness in the faces of clients when they collect their piece that they have had a part in designing or to hear back from them with their stories of what the jewellery means to them or their special someone."
She works mainly with Sterling Silver, but also gold and other metals. Karen uses traditional silversmithing techniques along with some unconventional processes to shape and form works of wearable art.
She designs and creates each individual piece by hand in her studio in rural Victoria - inspiration for her jewellery comes not only from her surroundings but from within ... sentimental moments and meanings are often captured to be made into a lasting memento of precious thoughts, feelings and memories.
Karen also enjoys working with clients to create individual pieces which reflect the personality of the wearer, or have deeper personal meanings for them. "It is always a joy to see the happiness in the faces of clients when they collect their piece that they have had a part in designing or to hear back from them with their stories of what the jewellery means to them or their special someone."
Chris Hoggard
Inspiration for Chris’ work comes from where she lives. Chris has an old cottage on a small acreage in the Western District. The garden she has created over the years, is a home to a range of creatures both wild and domestic. Chris makes garden art, bird baths and small garden sculptures to decorate gardens using Earthenware/Stoneware and Raku clay. She explores various seedpods, leaf structures and found objects for surface texture. In 2017 Chris left her job as an Art and Visual Communication teacher to explore her love of ceramics further. She started running classes for adults two days a week in her studio, and, in 2018, did a Post Graduate Diploma of Ceramics at Federation University Ballarat where she further developed her skills in sculpting and glazing.
Andrew Middlehurst
Andrew has been painting and drawing for as long as he can remember. Practicing patience and learning new technics over the last 3 years, he has refined his palette and developed a bold and expressive style. Inspired by life’s simple pleasures, he paints mostly from instinct and loves to experiment.
Living so close to the Surfing and wildlife reserves, also neighbouring National parks and Marine parks Andrew is constantly reminded of the beauty and ancient history all around us here on Wadawarrung country.
A place which we should never take for granted.
Living so close to the Surfing and wildlife reserves, also neighbouring National parks and Marine parks Andrew is constantly reminded of the beauty and ancient history all around us here on Wadawarrung country.
A place which we should never take for granted.
Elida Luciarte
Award-winning artist, Elida Luciarte, studied Fine Arts at the University of the Basque Country (Spain) with a major in Audio-visuals and pursued Painting at the University of Ballarat. Initially drawn to figurative art, she redirected her focus to painting seascapes after residing on the Surf Coast.
Elida's artistic journey commenced at a very young age and at the age of 6, she accomplished her first oil painting, igniting a lifelong passion. After completing a series of seascapes and portraits and driven by her fascination with the ocean and water, she has recently initiated a new series titled "Portraits of Water."
Beyond her artistic pursuits, Elida enjoys running the Torquay Art Hub, where she conducts art classes and serves as an art representative. She particularly finds joy in working with the very talented artists in her programs.
Elida's artistic journey commenced at a very young age and at the age of 6, she accomplished her first oil painting, igniting a lifelong passion. After completing a series of seascapes and portraits and driven by her fascination with the ocean and water, she has recently initiated a new series titled "Portraits of Water."
Beyond her artistic pursuits, Elida enjoys running the Torquay Art Hub, where she conducts art classes and serves as an art representative. She particularly finds joy in working with the very talented artists in her programs.
David Graham
David's unique practice explores the potential of contemporary blacksmithing. His work evaluates and extends the possibilities of forging hot steel in a constant attempt to shift objects from a purely utilitarian beginning to a wholly reimagined future state.
Inspired by the natural world, David's art reflects the dynamic energy of the environments he loves, mixed with a heavy influence of how blacksmiths have forged through the industrial revolutions.
With 25+ years of practice, and as a resident artist at Ashmore Arts since 2015, he has forged his artistic approach, establishing a career as a sculptor with a focus on large installations.
Exhibitions
2024 Group Exhibition, Geelong Sculptors, Spring Exhibition, Anglesea, Vic
2024 Group Exhibition, Geelong Sculptors, Autumn Exhibition, Barwon Heads Arts Council, Vic
2020 Solo Exhibition, The Convent Gallery, Daylesford, Vic
2020 Group Exhibition, Makers in Metal, The Papermill, Geelong, Vic
Inspired by the natural world, David's art reflects the dynamic energy of the environments he loves, mixed with a heavy influence of how blacksmiths have forged through the industrial revolutions.
With 25+ years of practice, and as a resident artist at Ashmore Arts since 2015, he has forged his artistic approach, establishing a career as a sculptor with a focus on large installations.
Exhibitions
2024 Group Exhibition, Geelong Sculptors, Spring Exhibition, Anglesea, Vic
2024 Group Exhibition, Geelong Sculptors, Autumn Exhibition, Barwon Heads Arts Council, Vic
2020 Solo Exhibition, The Convent Gallery, Daylesford, Vic
2020 Group Exhibition, Makers in Metal, The Papermill, Geelong, Vic
Jennifer O'Sullivan
Jennifer began her journey into the magical world of glass 14 years ago, when she attended a weekend Glass Mosaic Workshop. She progressed to glass fusing, and since moving 7 years ago to the Surf Coast, she has held workshops in her home studio “Glass Works Torquay”. Jennifer also discovered the Anglesea Art House ,and became a member, to be inspired by likeminded people. There she is able to use the wonderful facilities that include 2 glass kilns! Jennifer currently facilitates workshops and a weekly glass group.
Her work, Emerald Earth, was chosen to be featured in the 2020 Surf Coast Arts Calendar and in 2021 she was the glass ambassador for the Surf Coast. Sharing glass art in workshops is something that is so satisfying to Jennifer. She says “Commission pieces are very special to do and liaising with a client to create glass art for their space is what I get so much pleasure from”. Jennifer believes glass is exciting to work with, and can have a mind of its own often creating something unique. With it all, she loves to connect with people especially, through all forms of art.
Her work, Emerald Earth, was chosen to be featured in the 2020 Surf Coast Arts Calendar and in 2021 she was the glass ambassador for the Surf Coast. Sharing glass art in workshops is something that is so satisfying to Jennifer. She says “Commission pieces are very special to do and liaising with a client to create glass art for their space is what I get so much pleasure from”. Jennifer believes glass is exciting to work with, and can have a mind of its own often creating something unique. With it all, she loves to connect with people especially, through all forms of art.
Max Dangerfield
Max is a self taught artists from the Surfcoast. The COVID 19 pandemic was the gateway to his landscape paintings. Suddenly with more time to surf and walk his dog, Max observed the landscapes in more detail than ever before.
Mostly working with acrylic paint, Max simplifies landscapes and breaks them into their most basic forms. Max’s Inspiration is highest during periods of late Autumn through to early Spring as the wildflowers are in bloom and create beautifully coloured scenes which translate to more expressive painting.
Mostly working with acrylic paint, Max simplifies landscapes and breaks them into their most basic forms. Max’s Inspiration is highest during periods of late Autumn through to early Spring as the wildflowers are in bloom and create beautifully coloured scenes which translate to more expressive painting.
Terry Guida
Terry started out in the 70’s using clay for his art before moving on to wood and metal. In the mid 90’s Terry enrolled in a hospitality course at the Gordon Institute of TAFE. It was then that he discovered the unlikely medium of margarine. The choice seems ironic for a son of a milk factory worker from Colac-surely butter should have been a consideration.
But Terry explains that margarine is less expensive, has a heavier oil base, and, in the case of the hospitality grade product a “more solid feel”. The inspiration for his now locally famous margarine sculpture was a Gordon medieval buffet function, which needed suitable décor adornments.
Terry came up with “The Menu Master”, based on common wizard sculptures often seen in gardens but hunched over reading a book of recipes.
He chose as his medium Pastrex. A hard margarine used in puff pastry. Terry used classic carving tools comprising wood and wires to craft much of the figure, with his fingers employed to shape the wizard’s intricate head of hair.
Higher accolades followed for Terry’s unique artwork. “The Menu Master” won a silver award in 1995. It was Terry’s first and last margarine sculpture. ‘Sculpture is about igniting people’s imagination’ Terry says.
Terry continues to shows sculptures in many exhibitions around the local area and is an active member of The Geelong Sculpture Inc group.
But Terry explains that margarine is less expensive, has a heavier oil base, and, in the case of the hospitality grade product a “more solid feel”. The inspiration for his now locally famous margarine sculpture was a Gordon medieval buffet function, which needed suitable décor adornments.
Terry came up with “The Menu Master”, based on common wizard sculptures often seen in gardens but hunched over reading a book of recipes.
He chose as his medium Pastrex. A hard margarine used in puff pastry. Terry used classic carving tools comprising wood and wires to craft much of the figure, with his fingers employed to shape the wizard’s intricate head of hair.
Higher accolades followed for Terry’s unique artwork. “The Menu Master” won a silver award in 1995. It was Terry’s first and last margarine sculpture. ‘Sculpture is about igniting people’s imagination’ Terry says.
Terry continues to shows sculptures in many exhibitions around the local area and is an active member of The Geelong Sculpture Inc group.
Rhondda Millen
As an Artist Rhondda has always been interested in pushing the boundaries of the medium to its fullest potential. In her printmaking practice she enjoys the excitement of creating ‘Unique State’ prints where one print is never the same as the other. She works organically where ideas flow within the process of printing where outcomes often change as the process evolves. Rhondda’s screen printing displays multiple layers of colours and shapes to achieve a richness of surface and she utilises a variety of screens and stencils to create her Artwork. A similar approach is undertaken in her oil paintings where many layered images of nature are often hidden behind abstract shapes.
Rhondda is a full time Artist working from her studio in Aireys Inlet where she has lived for the last 10 years. In the early years she lived in the Eltham area and was influenced by the beautiful bush surroundings and the encouraging teachers at Eltham High School. Rhondda studied art at Melbourne University where she majored in Painting, Textiles and Design.
Rhondda worked in the Art Education area for many years, often part time to allow her practice to flourish. She exhibited extensively during those years in Melbourne and more recently at Metropolis gallery in Geelong and Deakin University where she had a solo exhibition.
Her works are located in many private collections, The Institute of Family Studies and Deakin University.
Rhondda is a full time Artist working from her studio in Aireys Inlet where she has lived for the last 10 years. In the early years she lived in the Eltham area and was influenced by the beautiful bush surroundings and the encouraging teachers at Eltham High School. Rhondda studied art at Melbourne University where she majored in Painting, Textiles and Design.
Rhondda worked in the Art Education area for many years, often part time to allow her practice to flourish. She exhibited extensively during those years in Melbourne and more recently at Metropolis gallery in Geelong and Deakin University where she had a solo exhibition.
Her works are located in many private collections, The Institute of Family Studies and Deakin University.
Jo Rothwell
Jo Rothwell grew up in the Yarra Valley, Victoria. Australia.
The travel bug hit in her early 20s, and the lure of foreign countries saw her work and travel in Europe for many years. She then took her passion for adventure and travelled into outback Australia, where she taught children on cattle stations via the School of the Air.
Her tourism knowledge grew broader when she was employed in the management team at El Questro Station in the Kimberley, WA. Settling back in the Yarra Valley, Jo established Rothwell Publishing in 2004 and has written and published 16 children's books. The My Adventure and One Yelpy Kelpie series explore specific Australian themes and destinations. Continuing this theme, she has launched the Australian Adventure Passport. Her children’s books are on the Premiers Reading Challenge list and have sold over 130,000 copies.
She proudly continues to donate thousands of books to charities. Her Aloysius the Ram at Chateau de Lalande picture book raises much-needed funds for research into paediatric brain cancer. Jo was diagnosed with breast cancer in 2011 and a subsequent metastatic prognosis in 2015; however, she continues to write stories and encourage children to read and to explore Australia. Shifting her focus to non-fiction, Jo has just released Chasing Normal - Taking the C out of Cancer, A Memoir. A unique insight into her life and how she uses distraction, mindfulness and humour to put cancer in its place.
The travel bug hit in her early 20s, and the lure of foreign countries saw her work and travel in Europe for many years. She then took her passion for adventure and travelled into outback Australia, where she taught children on cattle stations via the School of the Air.
Her tourism knowledge grew broader when she was employed in the management team at El Questro Station in the Kimberley, WA. Settling back in the Yarra Valley, Jo established Rothwell Publishing in 2004 and has written and published 16 children's books. The My Adventure and One Yelpy Kelpie series explore specific Australian themes and destinations. Continuing this theme, she has launched the Australian Adventure Passport. Her children’s books are on the Premiers Reading Challenge list and have sold over 130,000 copies.
She proudly continues to donate thousands of books to charities. Her Aloysius the Ram at Chateau de Lalande picture book raises much-needed funds for research into paediatric brain cancer. Jo was diagnosed with breast cancer in 2011 and a subsequent metastatic prognosis in 2015; however, she continues to write stories and encourage children to read and to explore Australia. Shifting her focus to non-fiction, Jo has just released Chasing Normal - Taking the C out of Cancer, A Memoir. A unique insight into her life and how she uses distraction, mindfulness and humour to put cancer in its place.
Marion Smith
Marion Smith is a Contemporary Jeweller and Artist. Smith works from Studio Smith Torquay where she creates jewellery that reflects the unique Australian environment focusing on its’ varying fauna, flora and ever changing landscape.
Smith creates jewellery using a plethora of mediums such as silver, gold, enamel, found objects, precious and non-precious stones, driftwood and base metals.
Smith also paints landscapes using oil, acrylic and mixed media.
Marion Smith trained and completed a Degree in Gold and Silversmithing (RMIT), holds a Diploma of Art Education has exhibited throughout Australia and has represented Australia several times with her enamelling in Tokyo, Japan.
Smith has won several awards in jewellery and painting and her artwork is held in private collections.
Smith creates jewellery using a plethora of mediums such as silver, gold, enamel, found objects, precious and non-precious stones, driftwood and base metals.
Smith also paints landscapes using oil, acrylic and mixed media.
Marion Smith trained and completed a Degree in Gold and Silversmithing (RMIT), holds a Diploma of Art Education has exhibited throughout Australia and has represented Australia several times with her enamelling in Tokyo, Japan.
Smith has won several awards in jewellery and painting and her artwork is held in private collections.
Antony Twining
Antony enjoys working with clay and glazes. He loves the tactical nature of the material. Antony says making ceramics is a little bit unpredictable because you have the nature of heating the material to specific temperatures.
"Clay is a very versatile material. I like exploring it's malleable qualities through hand building and the pottery wheel."
He likes using colour by way of glazing to define pattern and design.
"Clay is a very versatile material. I like exploring it's malleable qualities through hand building and the pottery wheel."
He likes using colour by way of glazing to define pattern and design.
Surfcoast Weaver Birds
Nestled in the treetops of Aireys Inlet is a talented group of Fibre artists, weavers, basket makers, sculptors and creators of beauty. The group meet each week and work on their own creations side by side and discuss ideas and techniques. The fibres they use are mostly plant and found materials but also, they can use any type of rope, twine, string, cord anything that can be woven the group use.
The group have been meeting for over ten years and some members change over time but the core members have remained. The group individually show their work in galleries along the Surfcoast and twice a year they have group exhibitions. A lot of the time the members don’t see each other’s finished work until the exhibition and its aways exciting to see their finished creations.
Wall art, baskets, nests, animals, bowls, plates, grass trees, birds are some of the amazing creations that the members make. The group trade ideas and discuss which plant fibres are best to use, many fibres need to be soaked and dyed to get the best results. Weaving can be a self-generating craft as there is no need to buy expensive threads to use.
The group have been a part of the Surfcoast Arts trail since it started and many members have their work exhibited at Eagles Nest Gallery in Aireys inlet, and Anglesea Arts Space.
The group have been meeting for over ten years and some members change over time but the core members have remained. The group individually show their work in galleries along the Surfcoast and twice a year they have group exhibitions. A lot of the time the members don’t see each other’s finished work until the exhibition and its aways exciting to see their finished creations.
Wall art, baskets, nests, animals, bowls, plates, grass trees, birds are some of the amazing creations that the members make. The group trade ideas and discuss which plant fibres are best to use, many fibres need to be soaked and dyed to get the best results. Weaving can be a self-generating craft as there is no need to buy expensive threads to use.
The group have been a part of the Surfcoast Arts trail since it started and many members have their work exhibited at Eagles Nest Gallery in Aireys inlet, and Anglesea Arts Space.
Marian Young
Marian is a multi disciplinary artist constantly exploring wide ranging mediums and materials. Marian was the Art teacher at Torquay College for 16 years and was constantly encouraging and pursuing all avenues of immersion of art experiences for 1000s of students. After all this fun Marian now has time and a massive understanding of many artistic pursuits. Marian is currently working on large scale floral textural acrylic paintings, threads and textile projects and botanical paintings.
Marian tends to be whimsical and is constantly wondering what is the next thing she can learn and explore.
Marian tends to be whimsical and is constantly wondering what is the next thing she can learn and explore.
Mary-Ellen Belleville
Mary-Ellen Belleville completed a Bachelor of Education (Art & Craft) in 1979, majoring in ceramics and textiles. At that time she exhibited in graduation student shows at the Meat Market, Melbourne and also exhibited at the Gryphon Gallery at Melbourne State College and at Distelfink Gallery, Melbourne – exploring the myriad reiterations of creating in porcelain, fine fabrics by creating whimsical, sculptural artworks and collages.
Subsequently a career in the food and hospitality industry took over the creative juices and energies for more than 20 years. Mary-Ellen still remained keen to explore textile arts, and continued attending artist workshops in textile arts techniques. Her passion for revaluing ‘found’ objects, be they from the bush, the ocean, or opp shops is her main source of materials, combining seemingly disparate objects into 3D artworks that often convey a message of concern for the protection of our environment.
Mary-Ellen resides in Breamlea and values the natural landscape that surrounds her as an endless source of inspiration.
In recent years Mary-Ellen’s three dimensional textile pieces have been selected for exhibition at CrossXpollinatioN - a festival of textile and fibre art held annually in Colac. Her entry in the Love, Loss and What I wore, a delicate black collar inspired by the 19C Victorian era, was acquired by Deakin University for its permanent collection. She has also been shortlisted for the Petit Miniature Textiles exhibition, Wangaratta, in 2018.
Mary-Ellen has also been a regular exhibitor at Geelong Art Space, Geelong in variously themed ‘satellite exhibitions’ that are staged in regional cities under the auspice of Craft Victoria.
Subsequently a career in the food and hospitality industry took over the creative juices and energies for more than 20 years. Mary-Ellen still remained keen to explore textile arts, and continued attending artist workshops in textile arts techniques. Her passion for revaluing ‘found’ objects, be they from the bush, the ocean, or opp shops is her main source of materials, combining seemingly disparate objects into 3D artworks that often convey a message of concern for the protection of our environment.
Mary-Ellen resides in Breamlea and values the natural landscape that surrounds her as an endless source of inspiration.
In recent years Mary-Ellen’s three dimensional textile pieces have been selected for exhibition at CrossXpollinatioN - a festival of textile and fibre art held annually in Colac. Her entry in the Love, Loss and What I wore, a delicate black collar inspired by the 19C Victorian era, was acquired by Deakin University for its permanent collection. She has also been shortlisted for the Petit Miniature Textiles exhibition, Wangaratta, in 2018.
Mary-Ellen has also been a regular exhibitor at Geelong Art Space, Geelong in variously themed ‘satellite exhibitions’ that are staged in regional cities under the auspice of Craft Victoria.
Sally Hare
Sally Hare of Tantalising Textiles evolved after turning negative and painful experiences into positive, bright, colourful opportunities. Her label is called Happy Hare.
Using natural fibres such as cotton, linen, silk, wool and making one off items for many women, she specializes in wearable art. She had a craft stall at the Vic Arts Market – South Bank for many years.
Sally now enters her textile creations into competitions to keep her interests and juices flowing and has a passion and creativity for textiles, art, colour, design and fabric.
She decided to go back to school part time in 2007 – 2009 to study a Diploma in Textiles and again full time to study an Advanced Diploma in Fashion Design in 2015 - 2017.
Sally now works three jobs as a Textile Artist, Caregiver and creating Cushions.
Using natural fibres such as cotton, linen, silk, wool and making one off items for many women, she specializes in wearable art. She had a craft stall at the Vic Arts Market – South Bank for many years.
Sally now enters her textile creations into competitions to keep her interests and juices flowing and has a passion and creativity for textiles, art, colour, design and fabric.
She decided to go back to school part time in 2007 – 2009 to study a Diploma in Textiles and again full time to study an Advanced Diploma in Fashion Design in 2015 - 2017.
Sally now works three jobs as a Textile Artist, Caregiver and creating Cushions.
Our 2022 Artists
Josie Banner
Lindy Banner
Isobel Clapham-Fell
Lu Ellmer
Simone Feher
Chris Hoggard
Mon Jackson
Sue McConnell
Gerard McGill
Les Norman
Jennifer O'Sullivan
Mark Robbins
The Print Sisters
Marion Smith
Cinnamon Stephens
Mark Trinham
Ant Twining
OUR 2023 ARTISTS
Lu Ellmer
Simone Feher
Karen Harvey
Chris Hoggard
Mon Jackson
Irene Majer
Hannah Millerick
Jennifer O’Sullivan
Donna Pollock
Print Sisters
Mark Robbins
Jo Rothwell
Marion Smith
Antony Twining
Geelong Weaving Mill
Marian Young
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